Lois' aunt dies and leaves her mansion to the Griffins.
Peter's very religious father comes to live with the family after he is forced to retire from his lifelong job at the Mill.
Paranoid about Y2K, Peter herds the family into the basement for protection.
A therapist tells Brian his carpet-wetting is the result of his repressed feelings for Lois.
The Griffins and their neighbors build a festival float; waitress Meg schemes to get bigger tips.
When Peter tries to get out of paying a doctors bill by faking his own death, he is visited by Death himself, who wants to take Peter away. After Death twists his ankle while chasing Peter, everyone on Earth becomes immortal while death is incapacitated.
When Lois become the director of the Quahog Players production of “The King and I” Peter wants a part. He finds himself in the Producer’s Chair and starts to make some “artistic changes” to the script that involve scantily-clad women and cyborgs.
Forced to go to a women’s retreat for telling sexist jokes at work, Peter resists the idea at first. After two weeks, however, Peter becomes a sensitive male. No one likes the new Peter, especially Lois. While attending a charity dinner, Lois does something that snaps Peter out of his feminine phase.
Peter makes Chris pretend he's dying, in order to save a television program.
Peter runs against Lois for a seat on the school board.
Peter is envious of an old friend's success; Chris' painting gets serious attention.
Meg exposes her family on a talk show.
Stewie misbehaves while visiting his grandparents.
